Sitzende Frau, dem auf ihrem Schoß liegenden Kind die Brust gebend c. 1770 - 1774

Curator: The immediacy is striking. This drawing feels so intimate, almost like witnessing a private moment. Editor: And unfinished, wouldn’t you say? A pale graphite on paper sketch by Georg Melchior Kraus dating from about 1770-1774, depicting a mother nursing her child. Look how softly the artist renders the forms of the mother and child; you can see the rapid strokes of the pencil at play here. Curator: Absolutely, and the fragility of the line work speaks to a specific visual language that links motherhood with notions of innocence, nurture, and even a kind of delicate sacrifice, evoking religious imagery like the Madonna and Child. Kraus captures the iconography of maternal love. Editor: Do you see that ghost image there to the side? It is like the artist reusing the precious paper, planning another design with a family. Look closely and one can almost decipher a woman's figure. It’s also interesting how the bareness of the support and the limited strokes create this idea of ‘frugality’ while depicting intimacy; a mother providing food from her body. Curator: It certainly reflects societal values regarding both resourcefulness and maternity during that time. Feeding as an expression of care. Editor: These are likely studies or sketches meant for a larger painting; however, this piece of paper now takes on a life of its own by bearing the tool marks of pencil strokes; what would become this genre scene? Curator: Yes! We see both the public role of motherhood but then, thanks to the medium itself, it presents almost as a secret sketch or an insider’s look into a larger symbolic representation of mothers during the Rococo era. Editor: So this drawing made of a simple piece of graphite transforms not only into the theme of "motherhood" and labor but also points to the material process involved to create it. Curator: Exactly. By considering the historical symbolism and its place, in its cultural epoch, as well as observing its unique technique. Editor: It seems that looking at both, the material and emotional language, enriches how we look and receive art!