Dimensions: image: 192 x 147 mm support: 431 x 355 mm
Copyright: © Archivio Penone | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This print by Giuseppe Penone depicts a tree with rounded forms in its branches. The limited palette evokes a sense of quiet contemplation. What do you see in its composition? Curator: I am intrigued by the relationship between the graphic marks and the central subject. The stippling creates an atmospheric depth that contrasts with the sharp lines of the tree's form, creating visual tension. Editor: So, the juxtaposition of textures is key? Curator: Precisely. It invites a discourse between the organic and the abstract, the defined and the implied. The print's materiality, its very graphic nature, emphasizes this dialogue. It is not merely representational, but self-referential. Editor: I see what you mean; it's a complex interplay of elements. Curator: Indeed. The formal elements speak volumes.
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This is one of a suite of eleven images and twelve pages of text from the portfolio entitled Footsteps on Mulberry Tree Tops. The portfolio was produced in an edition of twenty-one plus four artist’s proofs. Tate’s copy is the twentieth in the edition, the first half of which was published in book form, the second as loose leaves in a box. The images were printed from plates made in the artist’s studio in San Raffaele, Turin by the publisher Jacob Samuel in Santa Monica, California. They were all made using the chin collé technique and a combination of softground etching, spitbite, hardground etching, whiteground aquatint and drypoint.