Dimensions: overall: 29.5 x 22.4 cm (11 5/8 x 8 13/16 in.) Original IAD Object: 49" long
Copyright: National Gallery of Art: CC0 1.0
Editor: So here we have "Evening Dress", created between 1935 and 1942 by Sylvia Dezon, rendered in watercolor, pencil, and drawing on paper. There's something so ethereal about the gown; it feels almost like a dream. What strikes you about this piece? Curator: Ah, yes, a dream perfectly captured! The romanticism practically breathes off the paper, doesn't it? Look at the delicate, almost floral quality of the decorations – those puff sleeves and that elaborately trimmed hem are utterly transporting. And yet, there's a groundedness to it as well. What era does it suggest to you? Does it have anything to do with the troubled times of the Second World War, when it was made? Editor: I’d say early 19th century? Something about the silhouette feels very Empire or Regency era, like something you might see in a Jane Austen adaptation. And thinking of WWII… perhaps an escape into a more romanticized past? Curator: Precisely! You've hit upon a fascinating tension – a retreat into beauty amidst global turmoil. This might be read as pure escapism. Can you imagine the appeal of these elegant designs amidst rationing and uncertainty? It whispers of balls and soirees, and grand, unruffled leisure…it's a form of hope, wouldn't you say? Editor: Definitely. It’s interesting to see history painting re-interpreted as historical fashion. Curator: Fashion, in many ways, IS history, isn't it? A history we wear, and that speaks volumes even when unuttered. This dress design, light as a feather and pregnant with memory, teaches us about resilience, creativity, and perhaps, even a bit of resistance. Editor: I hadn't thought of it as a form of resistance before. Now I'm looking at it with completely new eyes. Thanks for that insight.
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