Seated lion, two lion head studies 1812 - 1814

Théodore Géricault made this graphite sketch called 'Seated Lion, Two Lion Head Studies' in France in the early 19th century. It shows a lion reclining, with two studies of its head above it. Géricault lived in a France experiencing the aftershocks of revolution and empire. His art often reflects a fascination with power, struggle, and the raw emotions of humanity and beast alike. The lion, traditionally a symbol of royalty and strength, takes on new meanings in this era of social upheaval. Consider that in French political cartoons, the lion was often used as a symbol for powerful rulers, such as the French king or emperor. How did Géricault intend his study of the lion? Was he reclaiming its status as a symbol of power? Was he critiquing the idea of power itself? Art historians like myself look to the archives to uncover letters, exhibition reviews, and cultural ephemera to get a clearer sense of how artworks engaged with the politics of their time. Only then can we understand their role in shaping the world.