Fotoalbum van Charlotte Boelen-Matthes met opnames van haar dochters Eva en Hettie uit de periode 1922-1923 c. 1922 - 1923

This is a photo album made by Charlotte Boelen-Matthes around 1922, holding snapshots of her daughters. It’s more than just a container; it’s a carefully considered object. The album's surface is humble, almost austere in its beige simplicity, but it’s also quietly elegant. The embossed design, a diamond shape with swirling patterns, hints at the preciousness held within. I think about how the maker chooses this design, wanting something understated yet special. Looking closer, you can see the texture of the cardboard, the way the light catches the slightly rough surface. It's like a painting, in its own way, where the material itself tells a story. Even the string closure feels deliberate, a tactile reminder of the care and attention given to preserving these family memories. It reminds me of a Gerhard Richter painting, something so simple yet holding so much complexity. The album feels complete, an artwork in itself.