Portret van Pierre Mignard by Georg Friedrich Schmidt

Portret van Pierre Mignard 1744

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print, engraving

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portrait

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baroque

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print

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history-painting

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engraving

Dimensions: height 518 mm, width 378 mm

Copyright: Rijks Museum: Open Domain

Curator: Well, hello there. This portrait from 1744 immediately speaks of formal elegance. The level of detail the engraver, Georg Friedrich Schmidt, achieved is quite remarkable. What is your first impression? Editor: It’s the wig, isn't it? An almost overwhelming cloud of cascading curls. But behind that elaborate facade, I sense a very particular individual trying to peek through. Almost guarded, even. Curator: You know, I always think of these commissioned portraits as public performances. Schmidt was portraying Pierre Mignard who was, importantly, First Painter to the King and Director of the Royal Academy of Painting and Sculpture. Think of the power dynamics involved. The visual language is carefully crafted. Editor: Absolutely, it's a performance. And Mignard is literally holding his tools in hand—a blank drawing board, a stylus... These symbols showcase Mignard’s role as a creator. Even his pose, caught mid-action, almost winks to a sense of spontaneous genius despite the constraints you just noted. Curator: I think you've identified a key point. Look at the architectural detailing behind him, the drape of the curtains – it all speaks to status and patronage. Everything is designed to convey Mignard's place within a hierarchy, while suggesting, maybe, he can transcend it. Editor: And consider the gaze itself. Those direct, almost penetrating eyes lock you in. There's a hint of shrewdness there, as if Mignard knows exactly the game he's playing with posterity. The Baroque flourishes signal artistic abundance, but his eyes carry such knowing weight. Curator: It is a game. And it makes us participants even now. As we view it in the Rijksmuseum today, are we reinforcing these structures, questioning them, or maybe something in between? That constant questioning, that’s history, I believe. Editor: Indeed, a portrait like this acts as a mirror reflecting not only Mignard's image but also our ever-shifting perceptions of power, artistry, and identity through history's symbolic hall. It truly persists.

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