Ontwerp voor een kleed by Carel Adolph Lion Cachet

Ontwerp voor een kleed 1874 - 1945

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drawing, mixed-media, paper

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drawing

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mixed-media

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toned paper

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art-nouveau

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pattern

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paper

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geometric

Dimensions: height 212 mm, width 120 mm

Copyright: Rijks Museum: Open Domain

Editor: This is Carel Adolph Lion Cachet’s *Ontwerp voor een kleed*, or Design for a Rug, made sometime between 1874 and 1945. It's a mixed-media drawing on paper. It's hard to describe... it’s a design, but it almost looks like an aerial view of a really strange, abstract city. What's your interpretation? Curator: Well, situating this work in its historical context is key. Cachet was working during the rise of the Art Nouveau movement, a style deeply intertwined with ideas about national identity and artistic production. Notice how the design incorporates geometric elements but avoids rigid symmetry. Editor: Right, there’s a structured chaos to it. Curator: Exactly! These designs were often intended to elevate craft to the level of fine art, rejecting mass production and promoting handmade artistry. Consider the function of a rug: it's a utilitarian object that can become a site for expressing cultural values and aesthetics. To whom and to what was Cachet's design responding? Editor: So, the design isn't just about aesthetics, it's a statement? Maybe about the value of traditional craftsmanship versus industrialization? Curator: Precisely. Art Nouveau aimed to integrate art into everyday life, making design accessible and meaningful. This particular design, with its blend of abstraction and possible natural forms, perhaps, would have spoken to certain aspirations and tastes of the time, but could also suggest the limits and boundaries that constrained “good” taste, ideas of wealth, or the place of craft in the formation of Dutch cultural history. It speaks to complex intersections. Editor: That’s fascinating. It really shifts how I see it, knowing the social context changes the whole feeling of the piece. I had initially thought that it felt like just a flat diagram, but its social commentary and commentary on craft gives it some soul. Curator: Absolutely, it adds layers to the initial visual impression. Now you can begin to read more closely what is visually on the work. Editor: This was very informative!

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