"The Battle of Pashan Begins", Folio 243v from the Shahnama (Book of Kings) of Shah Tahmasp 1505 - 1560

Editor: We're looking at "The Battle of Pashan Begins," a vibrant watercolor from the Shahnama of Shah Tahmasp, dating from 1505-1560. The sheer density of figures and the bright colours give it a frenetic, almost overwhelming feeling. What's your interpretation? Curator: Note the spatial compression: figures layered densely, creating a shallow picture plane. The formal structure negates deep perspective; the landscape becomes a backdrop rather than a three-dimensional space. What effect does this flattening have? Editor: It almost feels like the figures are competing for space, heightening the sense of chaos. It seems less about individual heroism and more about the collective struggle. Curator: Precisely. Now consider the color palette – the juxtaposition of intense reds, blues, and greens. How do these colors function formally? Editor: They create a visual rhythm, pulling the eye across the surface, despite the lack of traditional perspective. The use of complementary colours makes the whole scene pulsate. Curator: And what of the calligraphy at the top? Its inclusion disrupts the image, making one ponder whether this detail competes with or comments on the painted narrative? The eye struggles between image and word. Editor: It adds another layer of complexity. Initially, I just saw a battle scene, but now I am considering its components. Thanks to your insight into colour and composition, I can see its layered and intentional design. Curator: Indeed, through analysing the structure we begin to see intent and execution working in unison to produce the image before us.