The Lake of Pitch 1807

Curator: This spare drawing, held in the Tate Collections, is titled "The Lake of Pitch" by John Flaxman. What strikes you initially? Editor: It's stark. The figures are so vulnerable, caught in what appears to be a very brutal scene. Is this meant to represent some form of punishment? Curator: Precisely. Flaxman created these illustrations inspired by Dante's *Inferno*, so it’s about sin and divine retribution. These figures are immersed in the lake of pitch, tormented for their earthly transgressions. The composition makes clear the power dynamics at play. Editor: So the lack of embellishment—the simplicity of the line—actually heightens the sense of raw emotion and suffering. It almost feels performative, a public shaming. Curator: I agree, and understanding the social and religious context certainly enriches our interpretation. The focus on the body as a site of both pleasure and pain is incredibly relevant to contemporary discussions around control. Editor: Flaxman's interpretation definitely leaves a lasting impression. Curator: Indeed, a potent visual translation of Dante's vision.