Portret van Hans Joachim Haller von Hallerstein 1720 - 1722

Editor: This engraving, titled "Portret van Hans Joachim Haller von Hallerstein" by Johann Kenckel, dates back to the early 1720s. It's currently held at the Rijksmuseum. The textures achieved with the engraving are incredible! What strikes me most is the intense focus on the figure’s presence within the overall structure of the print. What do you see in this piece from a formalist perspective? Curator: From a formal standpoint, I observe a compelling interplay between light and shadow that defines the volumes and textures within this composition. Notice how Kenckel has utilized line—varied in thickness and density—to describe the elaborate wig, the rich fur, and the crisp folds of fabric. The strategic placement of darker areas pulls the viewer’s gaze towards the center, to the face. The portrait exhibits Baroque traits through use of visual movement. Editor: That makes sense, especially how the contrasts bring out those textures, making the textures really stand out. Are you talking about the texture created via shading as a method? How the shape takes hold? Curator: Precisely. The interplay is one where visual space comes to the foreground with these contrasts; however, do you perceive an imbalance or discordance in the composition of these shapes? What about semiotic perspective here? Editor: Now that you mention it, the textures of the clothing on the right seem lighter than the wig; the figure in its texture seem to overpower the print... From the language, the subject's name is very prominent; this emphasis really dominates the artwork; with the coat of arms as well. I can also recognize your use of semiotics as relating to historical relevance of Baroque art, or use of materials. I’ve certainly learned more about analyzing engravings now. Curator: Yes, a semiotic reading would address Baroque art or its materials. Ultimately, observing Kenckel's strategic mark-making and the structural integrity reveals a mastery of his medium and visual construction. The formal aspects certainly draw focus towards this figure as historically well known.