Hereford, Dynedor and the Malvern Hills, from the Haywood Lodge, Harvest Scene, Afternoon by  George Robert Lewis

Hereford, Dynedor and the Malvern Hills, from the Haywood Lodge, Harvest Scene, Afternoon 1815

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Dimensions: support: 416 x 597 mm frame: 625 x 800 x 92 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have George Robert Lewis's "Hereford, Dynedor and the Malvern Hills, from the Haywood Lodge, Harvest Scene, Afternoon." It's, well, pretty golden! Very pastoral, and there's something almost staged about the figures. What's your take on it? Curator: It's funny you say that, because it feels like a fleeting, sun-drenched memory. Lewis is capturing a very particular kind of Englishness, wouldn’t you say? The golden hues speak to a romanticized vision of rural life. What do you make of that cluster of men gathered in the foreground? Editor: They seem to be having a break, maybe sharing a drink? It does add a little narrative element to the landscape... Curator: Exactly! It invites us to ponder their story, their connection to the land. It makes me think of how we romanticize the past, yearning for a simpler time that maybe never really existed. Editor: That's a really good point, all the gold may be fooling us. Curator: Perhaps! Art is rarely just what it seems on the surface, is it? A good reminder to look deeper.

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tate 13 days ago

http://www.tate.org.uk/art/artworks/lewis-hereford-dynedor-and-the-malvern-hills-from-the-haywood-lodge-harvest-scene-n02961

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tate 13 days ago

During Britain’s long war with France (1793–1815) it was almost impossible to travel to Europe. Consequently, artists and writers focused on the native landscape with a new intensity. Like Constable, Lewis explored the possibility of working directly from nature, outdoors. This is one of a group of pictures of Herefordshire subjects which Lewis described as having been ‘Painted on the Spot’. However, it is clear that he must have reworked the composition. The passage of time has caused changes to the painting, which have revealed traces of a harvester to the right of the main group of figures. Gallery label, May 2007