Late Gothic Doorway, Venice c. 1876 - 1877

Editor: This watercolor, "Late Gothic Doorway, Venice," by Charles Herbert, is intriguing. The peeling plaster next to the detailed doorway makes me wonder about the labor that went into its creation versus its current state. What stands out to you? Curator: The juxtaposition you noted is key. Consider the economic forces that shaped Venice, and how they’re reflected in the materials. The doorway speaks of wealth, doesn’t it? Editor: Absolutely, but then the decaying walls show a shift. Curator: Precisely! And watercolor as a medium – was it chosen for its speed, its portability, for capturing a fleeting moment in this economic shift? It is quite thought provoking. Editor: That gives me a lot to consider about process and social commentary. Thanks! Curator: Indeed, materiality always tells a story.