Miss Mary Hickey 1770

Joshua Reynolds painted Miss Mary Hickey, an oil on canvas, during his time as one of England’s most fashionable portraitists. The young woman’s gaze is direct and her clothing relatively demure. The hat, however, is most striking: a large, decorative element that dominates the composition and frames her face. Hats, throughout history, have signified status and identity. From ancient Egyptian headdresses to medieval crowns and bonnets, what we choose to place upon our heads speaks volumes. The ornate quality of Hickey’s hat signals her social standing, but it also reminds me of the garlands of flowers and foliage worn in ancient festivals—a visual representation of vitality and abundance that we have seen passed down through many cultures. This motif of adornment recurs, each time imbued with the cultural context of the age, like the re-emergence of pagan imagery in Renaissance art. This potent symbol of transformation and renewal resonates deeply within our collective psyche.