Unconscious Rivals by Lawrence Alma-Tadema

1893

Unconscious Rivals

Lawrence Alma-Tadema's Profile Picture

Lawrence Alma-Tadema

1836 - 1912

Location

Bristol City Museum and Art Gallery, Bristol, UK

Listen to curator's interpretation

0:00
0:00

Curatorial notes

Editor: Lawrence Alma-Tadema’s "Unconscious Rivals," painted in 1893 using oil on panel. The warm, rosy tones create an intimate atmosphere. There’s a sense of quiet contemplation here, maybe even a hint of rivalry suggested by the title... What stands out to you? Curator: Immediately, I am drawn to the symbols and allusions interwoven in the architecture and the figures themselves. Look closely at the mural work. What narratives do you imagine the artist wants us to see embedded within this idyllic scene? Editor: I notice little details, like how the cupid statue seems to be reaching down, and I also wonder why one woman is handing flowers to the other... Curator: Exactly! Consider the placement of the sculpture of Cupid. Classical sculptors showed him bearing fruit, representing fertility, yet here we may perceive a yearning gaze, perhaps indicating emotional tensions. Then, ponder on those roses, each imbued with a different meaning. Tadema often loaded his paintings with symbols of affection, jealousy, secrets and concealed emotions. Can we say, is there a conscious symbolism versus, perhaps, a less conscious meaning at work within this rivalry? Editor: I hadn't really considered how the artist integrated classical sculpture and floral elements in the artwork as vehicles to discuss such complex themes of unspoken tensions and social conventions! Curator: It invites us to explore those tensions and hidden dramas lying beneath what may seem superficially decorative. The cultural memory ingrained within visual symbols acts as a stage for such themes to be played out over time. Editor: I see the scene now more as a set up of potential stories. The flowers are not accidental. Curator: Exactly, what the artist chooses to paint helps viewers understand the inner lives. It opens a portal to their psychology. Editor: I never thought so much could be gleaned from the Cupid alone, now I see this world in layers! Curator: The past and present continuously talk to one another and we become more acutely aware by noticing details.