New York 1987

Rosalind Solomon made this gelatin silver print, "New York," sometime in the late 20th century. It's striking how Solomon coaxes so much out of a monochrome palette, a process of layering shades to create depth and mood. The subject's hand, extended towards us, dominates the foreground. Look closely at the texture—the subtle lines and creases etched into the skin—it's all so present and real. Then there's the play of light and shadow, emphasizing the topography of the face, the stark contrast between the black turtleneck and the lighter camouflage jacket. These aren't just details; they shape our emotional experience. Solomon's image shares some sensibility with Diane Arbus's portraits, a shared interest in the human condition and a willingness to confront their subjects directly. "New York" resists easy answers, instead offering a space for contemplation and exchange.