drawing, coloured-pencil, print, etching, paper, watercolor
portrait
drawing
neoclacissism
coloured-pencil
water colours
etching
caricature
paper
watercolor
coloured pencil
group-portraits
romanticism
genre-painting
history-painting
watercolor
Dimensions: 292 × 449 mm (image); 305 × 454 mm (plate); 361 × 517 mm (sheet)
Copyright: Public Domain
James Gillray created this print, "The Bridal Night," using etching and engraving techniques. He would have used a sharp tool, called a burin, to cut lines into a copper plate, and then applied ink to create the image. In this scene lampooning the wedding night of King George IV, the material qualities of the printmaking process are used to great effect. The crisp lines and precise detail, achieved through skilled metalworking, allow for the sharp satire and exaggerated features of the characters. The work critiques the opulence and decadence of the monarchy and aristocracy. Gillray’s choice of printmaking – a relatively accessible medium – allowed for wider distribution of his social commentary. The layers of ink create depth and texture, further emphasizing the caricature-like quality of the scene. Through the medium of printmaking, Gillray's "The Bridal Night" makes visible the tensions between the ruling class and public perception, reflecting the political and social issues of the time.
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