Study for Rebound 1955

Ellsworth Kelly created this Study for Rebound, presenting us with a composition dominated by stark contrasts and simplified forms. Two black shapes curve inward, meeting at a central point against a white background. This interplay immediately activates the viewer's perception, drawing attention to the relationship between positive and negative space. Kelly’s interest lies in pure form and color, reducing representational elements to their most essential qualities. We might consider the influence of Gestalt psychology here, where the visual impact emerges not from individual components but the overall structure. The curves imply movement, a visual “rebound,” while the sharp contrast between black and white flattens the image, emphasizing its two-dimensionality. Ultimately, Kelly invites us to see beyond representation and engage with the fundamental elements of visual experience. The visual impact of the black and white shapes exists not just aesthetically but also questions our understanding of visual and spatial relationships.