Gezicht op de ruïne van het kasteel Vredelant in Vreeland by Jacobus Schijnvoet

Gezicht op de ruïne van het kasteel Vredelant in Vreeland 1711

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print, engraving

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baroque

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print

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landscape

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engraving

Dimensions: height 196 mm, width 218 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this engraving, titled "View of the Ruin of Vredelant Castle in Vreeland" crafted by Jacobus Schijnvoet in 1711, what immediately comes to mind for you? Editor: The mood. It’s… wistful, I think. All those delicate lines conjure a sense of memory, perhaps loss, looking at this dilapidated castle. Even the clouds feel heavy with nostalgia. Curator: Yes, a ruin always implies a narrative of time and change, doesn't it? Schijnvoet presents us with this vision using meticulous engraving techniques. The level of detail, even in a 'simple' landscape is really stunning, look at the brickwork and even the weeds pushing up from the structure itself. Editor: Absolutely. And placing the ruin in an otherwise orderly landscape is a conscious choice. The waterways are neat, the trees manicured—civilization pushing back against time and nature's reclaiming work. The image's text adds a layer. What’s the historical significance of this place? Curator: The text below the image indicates that it depicts a "new foundation" of the ruined house of Vreeland. It’s more than just a pretty picture of some romantic ruin. The castle would have had a symbolic function of authority for people living around. So a print like this asks some big questions of political power, and shifting class relations at the time. Editor: That’s fascinating. To represent a ruined power structure during that era, with so much growth and upheaval, would've resonated deeply. Are there recurring symbols present in similar works from that time? Is this unique? Curator: Ruins as symbols of transient power certainly recur in Baroque art, and I think here Schijnvoet makes this common image newly pertinent, offering, via this unassuming landscape, a reminder of how human ambitions are inevitably weathered by time and social change. Editor: It becomes a reminder then that art isn't just about the aesthetic appeal; it carries dialogues, social memories and a sense of historical movement within seemingly calm surfaces. Thanks for bringing this amazing print into focus for me. Curator: My pleasure. There’s so much to unpack, and each viewing seems to reveal another layer of its historical poignancy.

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