Goblet by John Dana

Goblet 1935 - 1942

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drawing, paper, pencil

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drawing

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paper

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pencil drawing

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pencil

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modernism

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realism

Dimensions: overall: 29.4 x 22.7 cm (11 9/16 x 8 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This quiet drawing immediately strikes me. There's something so peaceful in its simplicity. Editor: And yet so loaded, I think. We are looking at John Dana’s "Goblet," likely created between 1935 and 1942. A delicate rendering in pencil. Curator: Absolutely, pencil on paper. A simple enough medium to portray something so symbolic. A goblet often represents abundance, celebration, even sacrifice in some cultural contexts. The etched floral design adds another layer. Do you find it evocative? Editor: I do. I wonder what the cultural significance of the flower could be for Dana? Its prominence on a vessel meant for holding drink - what statements are being made about societal views on consumption and possibly indulgence. What was he trying to say about society? The Modernist aesthetic speaks to an era of questioning, doesn't it? Curator: I completely agree. The seemingly realistic depiction feels inherently modern because it prompts that questioning. Consider its public role as a simple, humble sketch during times when grandiose pronouncements filled public spaces. Dana gives us a small, questioning image. Editor: The lack of color certainly enforces that simplicity. We are asked to fill it ourselves, not to interpret, or be presented with one clear narrative or agenda. Even the scale enforces this, doesn't it? Its intimate, calling for closer, deeper inspection. Curator: Yes, the absence of bold color pulls you into the fine detail, urging an introspective look at something that we typically raise in moments of celebration or grief. Think of what those rituals represent. How does that apply to the life of this object, memorialized in a simple drawing? Editor: Dana's goblet becomes a historical marker of social practice, asking profound questions with soft lead. What I appreciate most is how relevant its silent probing remains today. Curator: Absolutely. It transcends its medium to challenge the core of traditions surrounding us. Editor: Indeed. An intimate sketch that prompts boundless reflection, now it is for everyone.

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