Untitled 

Editor: So, this drawing by Craig Mullins, simply titled "Untitled," appears to be a graphite or pencil study of a face. It’s so raw and unfinished, almost like a fleeting thought captured on paper. What do you make of it? Curator: Fleeting is the word, isn't it? For me, it whispers of potential, like a composer scribbling down a melody that might become a symphony. The incompleteness isn't a lack, but an invitation. The obscured eyes, the almost frantic energy of the lines – it hints at an internal world far richer than any finished portrait might reveal. Does that resonate with you? Editor: Absolutely. The lack of definition kind of forces me to project my own emotions onto the figure. What do you think he was going for with the style? Curator: I reckon he wasn't aiming for mere representation, but evocation. The graphite is applied so intuitively; he builds form, suggests light, creates volume all with these energetic strokes. Do you think of it more as a drawing about a face or a drawing about feeling? Editor: I think it definitely leans towards feeling. It's like a study in capturing a mood. I really feel the sense of a private moment in it. Curator: I completely agree. What I learned today is that leaving space for our audience is as, if not more, compelling than stating a thesis. Editor: Exactly! Now I see there’s much more to "unfinished" than I first thought. It is great seeing how one might focus more on emotional resonance and expressive potential.