drawing, ink, pen
portrait
drawing
baroque
figuration
ink
pen
history-painting
Dimensions: 6 3/16 x 7 5/8 in. (15.72 x 19.37 cm) (sheet)16 1/2 x 20 1/2 in. (41.91 x 52.07 cm) (outer frame)
Copyright: Public Domain
Curator: This drawing is by Giovanni Lanfranco, dating back to the 17th century. It's titled "Diana and Endymion," and executed using pen and brown ink. Editor: Immediately, it feels light and airy. Almost like a dream, with these figures rendered so delicately. It's fascinating how just a few strokes convey so much. Curator: Right. Consider the material realities: the availability and cost of paper, the preparation of the ink, the skill of the artist to rapidly capture this scene. This drawing provides insight into the mechanics of artistic production in the Baroque era. We should consider how these material constraints and processes might shape the aesthetic qualities. Editor: That's a great perspective! For me, looking at it now, Diana's pose, her outstretched arm, it suggests a sort of yearning, or a surrender perhaps. A really intriguing dynamic in the narrative being portrayed. The flowing lines remind me of fabric, clouds…it's almost cinematic. Curator: I agree with the cinematic quality! This captures Lanfranco’s awareness of social practices as a professional artist, too, since these narrative devices would be circulated amongst patrons and the wider art market. And the myth itself, of course— the goddess of the moon visiting a sleeping shepherd. Lanfranco uses ink to articulate complex religious and mythological scenes. Editor: Mythology’s interesting because these figures have continued to enchant and bewitch artists for centuries. Perhaps this is just me rambling, but myths survive for very good reasons; they tell of humanity and love in mysterious and sometimes strange ways. I almost feel protective when looking at Diana now; such fine, fragile strokes rendering someone so…powerful. Curator: I understand. Well, by thinking about artistic production, and patronage, this sketch encourages discussion about the commodification of imagery, and social structures underpinning this system. Editor: I will mull over my thoughts. Art and labour, as a kind of loving dance. Curator: And hopefully our listeners will too!
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