Bust of a Smiling Young Man 1776

Curator: Standing here, what strikes me is the subject’s almost melancholic serenity. What's your take on the piece, Editor? Editor: Well, immediately I feel like he's sharing a secret joke with me. There's such intimacy in that wry smile. He's someone I'd like to share a beer with! Curator: This is "Bust of a Smiling Young Man", created in 1776 by Jean-Pierre Norblin de la Gourdaine. He crafted it through etching and drypoint on laid paper. Editor: Etching and drypoint – I love how those printmaking techniques lend themselves to such detailed lines, so alive. It looks as though you could reach out and touch his hair. There’s a depth here that contradicts its modest size. It feels so... personal. Curator: The “personal” feel resonates strongly. In examining the social context, Norblin was creating portraits for the rising middle class during a period of shifting power dynamics. This print challenges the more traditional, often heroic portraits of the elite, instead giving visibility to a more common individual. Editor: Absolutely, and that makes it so much more appealing to me, I mean how rare to encounter an authentic representation. I imagine the young man’s life story etched as vividly as the lines on his face. He wasn’t interested in depicting power. Curator: That authenticity definitely extends to questions about identity, especially regarding representation within artistic spaces, right? This print can invite a discussion about the diversity of faces that should populate our art spaces, both historically and in the present. It pushes us to question those traditional narratives. Editor: It also serves as a beautiful reminder, the profound emotions that connect us all through history. Curator: That's very insightful. And perhaps we can find, from a portrait made centuries ago, a relevant bridge for cultural exchanges about ourselves today. Editor: Exactly! To encounters, real and imagined. Here's to our friend with the wry smile.