Landschap met een schalmeispelende herder bij een boerderij by Lucas van Uden

Landschap met een schalmeispelende herder bij een boerderij 1605 - 1673

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print, etching

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dutch-golden-age

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print

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etching

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landscape

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genre-painting

Dimensions: height 122 mm, width 171 mm

Copyright: Rijks Museum: Open Domain

Curator: The work before us is “Landschap met een schalmeispelende herder bij een boerderij,” or “Landscape with a Shawm-Playing Shepherd near a Farmhouse,” dating roughly from 1605 to 1673. Lucas van Uden is credited as the artist, who rendered the artwork as an etching. Editor: Immediately, I'm struck by how delicately rendered the pastoral scene feels. There’s a certain melancholic mood evoked through the subtle gradations of tone; it feels as if time itself has been delicately imprinted onto this humble, rural setting. Curator: Indeed. Van Uden masterfully uses etching to define form and create texture. Note the strategic use of line and the distribution of light and shadow across the pictorial space. Semiotically, this piece engages in representing the idyllic; however, it subtly communicates the realities of rustic labor. Editor: True. Although the subject of this etching might, at first glance, appear to be this lone musician – almost posing for us at the bend in the road – I keep getting drawn to that cluster of farm buildings in the background. Curator: Observe how the diagonal axis created by the building draws the eye towards a distant bridge in the center left, constructing a dynamic visual pathway. Also the textural qualities—especially visible on the farmhouse’s roof and walls—exhibit the intricacy of etching as a medium. Editor: It feels like two different worlds, doesn’t it? In that the building in the background represents a very domestic or familiar form. But with this lone figure on the road playing a tune that somehow complicates that peacefulness. I see both beauty and a hint of precarity. Curator: And doesn’t that precarity provide a subtext for reconsidering our place within a broader semiotic network? From foreground to background, Van Uden challenges assumptions concerning rustic simplicity and urbanity itself. Editor: I'll hold that sentiment close to me on my way out... Curator: As will I, as this work challenges us to decode simplicity as a constructed rather than pre-existing value.

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