The Opulence of Nature 1644 - 1669

Cornelis Van Dalen the Younger created this engraving, "The Opulence of Nature" in the mid-17th century, a period defined by strict social hierarchies and emerging scientific thought. At first glance, the print seems a celebration of nature's bounty. Yet, consider the idealized bodies, the classical figures, and the cornucopia of fruits and vegetables. Who is invited to this banquet? It is certainly not the peasants whose labor produced it. The artist subtly comments on the vast disparities in wealth and access that defined Dutch society. Are the figures present intended to reinforce societal norms around power and privilege? Or is there an element of critique in the contrast between the earthly abundance and the select few who partake? “The Opulence of Nature” invites us to reflect on the complex relationship between humanity, nature, and society. In what ways do we celebrate abundance, and who gets to partake in its pleasures?