Dimensions: height 110 mm, width 90 mm
Copyright: Rijks Museum: Open Domain
This small, silver gelatin print is one of many photographs from the estate of Isabel Wachenheimer. I love the way an everyday scene can be imbued with an air of significance, just through framing and light. The composition centers on a child in a simple dress, caught in a moment of quiet contemplation, she is holding something, but what is it? The surface of the photograph is matte, lending a soft, almost dreamlike quality to the scene. The grayscale palette emphasizes the textures, from the intricate lacework on the table to the smooth surfaces of the doors, each holding its own story. This image reminds me of the work of Diane Arbus, who similarly captured the beauty and strangeness in ordinary moments. Like a half-remembered dream, photographs invite us to bring our own interpretations and find our own meaning, rather than offering a clear or definitive narrative.
In 1928 a daughter, Isabel, was born to Eugen and Else Wachenheimer. In 1934 they posed before the family home in Stuttgart on Isabel’s first day of school. The photograph at the lower right was taken almost ten years later (1943) in the Westerbork transit camp. Isabel had been rounded up in Amsterdam five months earlier. The family was first sent to Theresienstadt and then on to Auschwitz-Birkenau, where Eugen and Else were gassed. Isabel was condemned to forced labour.
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