Rivierlandschap met kapel op rots 1650 - 1695

Adam Perelle etched this River Landscape with Chapel on a Rock in the late 17th century. Note the chapel perched high atop the rock, crowned with a cross. This symbol, potent in its representation of faith and salvation, echoes across centuries. We see its earlier manifestations in the catacombs of Rome, where it served as a covert sign of belief. The cross is not merely a religious emblem; it is a signifier of sacrifice, redemption, and a compass pointing towards spiritual transcendence. Here, in Perelle's rendering, the cross atop the chapel connects the earthly landscape with the divine, evoking a sense of peace and reflection. The placement of the chapel on the rock also suggests the Church as an immovable object. From ancient reliquaries to modern pendants, the cross continues to evolve. Its presence here invites us to consider the cyclical nature of symbols and their capacity to anchor us to a collective past.