Ceux de la priemiere heure. "Sire! ou en somme-nous de la guerre fraiche et joyeuse!" c. 1914 - 1919
drawing, pencil
portrait
drawing
figuration
pencil
expressionism
history-painting
modernism
realism
Dimensions: overall: 33 x 50.3 cm (13 x 19 13/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Editor: Jean-Louis Forain's pencil drawing, "Ceux de la premiere heure. \"Sire! ou en somme-nous de la guerre fraiche et joyeuse!\"", made around 1914 to 1919, has this frantic, almost desperate energy. The lines are so loose and hurried. What strikes you when you look at this work? Curator: The power in this sketch lies in its raw, immediate depiction of disillusionment. It speaks volumes about the psychological impact of war, doesn’t it? Look at how Forain uses the figure of the soldier, almost swallowed by his greatcoat, to symbolize the crushing weight of the conflict. Editor: That's a strong reading. The coat *does* overwhelm him. Is that helmet a Pickelhaube? Curator: Yes, indeed. It signifies the German military, adding a layer of cultural memory and animosity. The "fresh and joyous war" quote is dripping with bitter irony, revealing a profound societal trauma. Do you notice how the frenzied scribbles in the background contrast with the relative detail of the helmet? Editor: Yes, it is like the chaos is pressing in on the cold, unfeeling war machine. The figures at the bottom look like mere suggestions of forms. Curator: Precisely! They're the faceless masses, reduced to ciphers by the conflict. The speed of the sketch reflects the urgency and anxiety of the time. This wasn’t meant to be beautiful; it was meant to be *truthful.* Editor: It is hard to imagine this as propaganda or some kind of call to action. Curator: No, this is a visual cry of despair. Forain captures the psychological breaking point, the moment when the myth of heroic war shattered against the reality of industrialized slaughter. It's a potent symbol of lost innocence and a critique of blind patriotism. Editor: Thinking about it now, that initial energy I sensed really seems more like exhaustion. Thank you, I'll never see this the same way again! Curator: And I’ve gained fresh insights articulating these connections. These layers of meaning constantly shift and re-emerge over time.
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