The Cascade in Frederiksberg Garden near Copenhagen by Georg Friedrich Kersting

The Cascade in Frederiksberg Garden near Copenhagen 1808

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painting, oil-paint, canvas

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painting

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oil-paint

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landscape

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figuration

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canvas

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romanticism

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genre-painting

Dimensions: 39 cm (height) x 33 cm (width) (netto), 49.5 cm (height) x 43.1 cm (width) x 5.2 cm (depth) (brutto)

Curator: This is Georg Friedrich Kersting's 1808 oil-on-canvas, "The Cascade in Frederiksberg Garden near Copenhagen," housed at the SMK. What strikes you immediately? Editor: A certain tranquility, perhaps melancholic. The cool tones, the carefully arranged figures...it feels staged, deliberately composed rather than observed. The landscape dominates. Curator: Absolutely. This piece participates in the Romantic movement's fascination with nature, but within a specific cultural context. Gardens, like Frederiksberg, were meticulously designed spaces reflecting Enlightenment ideals of order and control, which overlay onto nature. But Kersting reveals the Romanticism, too. Note how the tiny human figures diminish alongside the spectacle of the waterfall, dwarfed by nature's grandeur. Editor: And the composition itself is intriguing. That dark, densely wooded area on the left contrasts with the relatively open, illuminated path. The cascading water, framed by the archway, creates a strong vertical axis, anchoring the entire painting. The limited color palette, dominated by greens and browns, lends it a cohesive, almost monochromatic quality. Curator: Think about the waterfall as a symbol. Water, especially falling water, often represents the passage of time, the ephemeral nature of life. Coupled with the Romantic sensibilities prevalent then, the tiny figures take on a philosophical posture – the quiet contemplation of nature and the transient nature of existence. There is a definite melancholy hanging in the air. Editor: Melancholy indeed! Yet, the figures engage, seemingly interacting, perhaps oblivious to the deeper symbolism we might impose upon them. The painting almost becomes a landscape about social structure and spectacle. Do you agree? Curator: Yes! It suggests a societal shift. Gardens became popular spaces where social classes could commingle, creating opportunities for visibility and perhaps, a questioning of hierarchies – the elite among nature, sharing this symbolic moment with us. The act of spectating nature together in that place becomes symbolic. Editor: This canvas has been subtly revealing its complex layers. At first it seemed a passive scene, but now there is much more here. Curator: Yes, a tranquil image containing so much more depth. A good reminder to spend time truly looking.

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