Rosa gallica (apoteker-rose); Rosa ×alba (hvid rose); Rosa gallica (Rosa Mundi); Rosa ×centifolia (centifolie-rose) 1649 - 1659

Hans Simon Holtzbecker rendered these roses with watercolor, a medium well-suited to capture their fragile beauty. In this botanical study, each rose variety carries its own symbolic weight. The rose, from ancient Greece to medieval Europe, has been tied to notions of love, beauty, and even secrecy. Take for example, the white rose – its purity echoes in countless Renaissance paintings of the Virgin Mary, while its thorns, a silent reminder of pain intertwined with pleasure, appear even earlier in Roman mosaics, warning of love's potential stings. Observe how Holtzbecker's roses, with their carefully rendered petals, invite a sense of psychological intimacy. The viewer is drawn into a silent dialogue with the image. The rose, a timeless symbol, transcends Holtzbecker's era, resonating with our own subconscious understanding of beauty and transience. It's a testament to the enduring power of images to evoke emotions across the ages.