Breaking the Ice on the Karnemelksloot, Naarden, January 1814 by Pieter Gerardus van Os

Breaking the Ice on the Karnemelksloot, Naarden, January 1814 1814 - 1815

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oil-paint

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oil-paint

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landscape

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oil painting

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romanticism

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genre-painting

Dimensions: height 96.5 cm, width 128.2 cm, thickness 3.7 cm, depth 13 cm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Pieter Gerardus van Os's oil on panel from 1814-15, titled "Breaking the Ice on the Karnemelksloot, Naarden, January 1814". Editor: Brrr! I can almost feel that winter chill just looking at it. It’s a beautiful, stark scene, a whole community pitching in to literally break the ice. I feel like they’re pushing through some kind of…resistance. Curator: Van Os meticulously depicted this moment, considering the socio-economic dynamics at play. Look at the tools, the varied clothing suggesting different roles. We're witnessing labor, collaboration and resilience. Editor: Yes, it’s a working-class hero moment captured in this icy tableau! And yet, there's also a distinct feeling of isolation; the individuals are bound by the shared struggle against this weather, making you think about that collective experience in a larger, historical sense. Curator: Indeed, consider that it was painted during the Napoleonic era, adding to the political weight—an occupied people making their way. The frozen waterway becomes a symbol of societal blockages. Editor: You're right. The muted palette and overcast sky amplify that somber tone. Although romanticized to some extent, it does not conceal a feeling of austerity. A hard life made harder by outside factors. It makes the image all the more engaging when knowing it portrays a real moment. Curator: And those muted colours – it’s a limited range, all working to give this immediate and impactful scene its sombre emotional depth. This makes it more realistic than glorified given the history. Editor: Well said! It’s this sense of collective effort battling adversity that really strikes me. And the ice reflecting the light…there’s even some light in there amidst the greyness! A real marvel in paint! Curator: It is this light indeed! It also reveals the subtle complexities of the materiality that reflects social status, a story of a place during historical turbulence and winter hardship. Editor: Well, it is nice to be warmed by such conversation and insight! It is amazing to think about the story being told behind it, making the picture almost as warm as the knowledge gleaned from this look at art.

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