Deur van een huis in Multan by Anonymous

Deur van een huis in Multan before 1885

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print, photography, architecture

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print

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photography

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cityscape

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islamic-art

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architecture

Dimensions: height 221 mm, width 170 mm

Copyright: Rijks Museum: Open Domain

Curator: Let's turn our attention to this striking photograph, "Door of a House in Multan." Though we lack definitive attribution, it predates 1885. Notice the composition; it's an actual page from what must be a photograph album, the stark white paper a kind of frame to the sepia-toned image. Editor: Sepia's the perfect word! It just breathes history, doesn't it? I get a feeling of ancient secrets, locked away. There's a weight to it. This isn't just a door; it feels like a portal to another time. Curator: Precisely! And that feeling is enhanced by the geometry—the repetition of forms. Those pyramidal shapes create not just a visual texture, but a kind of… psychological barrier. Think of the implied social codes, the divisions of space in Islamic architecture. Doors, screens, thresholds, all acting as layers of privacy and revelation. Editor: Yes! And all those geometric shapes almost feel like they're breathing, expanding and contracting at the same time. There’s life there, behind the barrier you described. Like a constant negotiation between hiding and revealing oneself. It also strikes me as kind of ornate for just any old house door... what could it conceal? Curator: Ornamentation absolutely plays a crucial role, suggesting status, perhaps even spiritual significance. While the photographer remains unknown, this print offers insight into urban life and artistry during a pivotal period in Multan’s history. These doorways frequently displayed complex carvings and metalwork that was a symbol of their inhabitants' wealth. This print serves as visual testimony. Editor: So much grandeur! The kind you find yourself stopping for and peering through in the hope of glimpses... but also a slight disappointment in knowing you probably won’t get very far. All these barriers serve as much to lure us in, as they do to keep us out! Curator: Absolutely. These layers work simultaneously. Considering the work, and what these architectural forms were meant to express… We've glimpsed, haven't we, at the rich symbolic language embedded within something as seemingly simple as a doorway? Editor: Absolutely. This image makes me want to plan an archaeological dig of the self, right now! It reveals what secrets each of us might keep locked away behind the patterned portals of our public lives.

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