Headlands, Sausalito Possibly 1997 - 2019

Curator: This is Zig Jackson’s “Headlands, Sausalito,” a black and white photograph in the collection of the Harvard Art Museums. Editor: The high contrast and square format give it a stark, almost confrontational feel, don't you think? Curator: Indeed. Jackson often explores identity and representation, here specifically Native American identity. Note the figure in the headdress. Editor: The headdress, juxtaposed with the Golden Gate Bridge, creates a compelling tension. The bridge, a symbol of modernity, looms over a figure adorned in traditional regalia. Curator: Precisely. It's about historical layers and the complex relationship between the past and present. The composition also directs your eye toward the signage, further emphasizing that tension. Editor: It's also interesting to consider that the headress may symbolize cultural pride, and the fact that he's walking forward may imply resilience. Curator: Yes, and the figures on the bench seem oblivious. Perhaps Jackson is commenting on societal indifference toward Indigenous issues. Editor: A powerful piece—both visually striking and rich with cultural significance. I see many layers of interpretation within this black and white image. Curator: It challenges us to consider how we view history and identity. I find its simplicity and message quite moving.