Anne of Cleves (after Holbein) Verso: A Snarling Panther c. 1826

Editor: Here we have Delacroix's sketch, "A Snarling Panther." It's a rather small work, only about 15 by 13 centimeters, and the quick lines really capture a sense of raw energy. What do you see in its composition? Curator: The energy, as you say, resides precisely in those lines. Note how they articulate the musculature, not realistically, but expressively. Observe the curve of the spine, the tension suggested in the legs; these elements convey a feeling of contained power about to explode. The negative space, too, is crucial; it amplifies the panther's form, lending it greater presence. Editor: So it's less about anatomical accuracy and more about conveying a feeling through form and line? Curator: Precisely. Delacroix isn't aiming for naturalism. He’s exploring the inherent visual language of line and form to evoke a visceral response. Do you see how the lack of detail focuses your attention on the raw power of the animal? Editor: Absolutely, focusing on the fundamentals gives it so much impact. I didn't expect that from such a simple sketch. Curator: Indeed, it's a testament to the power of suggestion within formal constraints.