Fragment of a Jar In the Form of a Human Head with a Wrapped-Textile Headdress by Moche

Fragment of a Jar In the Form of a Human Head with a Wrapped-Textile Headdress c. 100 - 500

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ceramic, sculpture, terracotta

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portrait

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sculpture

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ceramic

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figuration

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form

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sculpture

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terracotta

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indigenous-americas

Dimensions: 22.2 × 18.1 cm (8 3/4 × 7 1/8 in.)

Copyright: Public Domain

Curator: Look at this fascinating ceramic work. It's titled "Fragment of a Jar In the Form of a Human Head with a Wrapped-Textile Headdress," dating back to approximately 100 to 500 AD, attributed to the Moche culture. What's your initial take? Editor: Well, the immediate impression is… unexpected. The slightly goofy grin contrasts oddly with the somber earth tones of the ceramic. It's visually arresting. Curator: The Moche were extraordinary ceramicists. These pieces weren't merely decorative. Analysis shows that ceramic production was a communal act, employing specific clay mixtures for particular purposes dictated by the society. Can you tell me more about what specifically is "arresting" about it? Editor: It's in the interplay of forms – the cylindrical shape rising from the head clashes beautifully with the softness of the modeled face, framed with an elaborate headdress which adds a structured layer over that naturalism. The off-center nature of the jar's lip enhances that discord. It's unsettling, yet engaging. Curator: Moche society employed such jars to represent individuals of power or significant societal roles. The detail and the headdress strongly suggests it depicts an elite individual, who possibly oversaw textile production or wore elaborate textiles, as implied by the head wrap. How does knowing this contextual information affect your formal read? Editor: It shifts it from the personal to the political. The jarring, unexpected qualities serve the statement that there are complex power dynamics at play. The materiality then underscores the labor relationships and social constructs in the Moche Civilization. The function as a jar too – something mundane elevates the status through fine artwork, suggesting it was only afforded to a specific class. Curator: It is fascinating how these ancient civilizations used art not only for beauty but for functional purposes interwoven with their beliefs and power dynamics. Editor: Indeed, this fusion truly amplifies my experience, drawing me to appreciate more on my appreciation of Moche civilization as well as ancient art in general.

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