Karikatuur van een inspectie op de soldatenkamer by H. Berthier

Karikatuur van een inspectie op de soldatenkamer 1870 - 1909

0:00
0:00

print, etching, ink, engraving

# 

ink paper printed

# 

print

# 

etching

# 

caricature

# 

pencil sketch

# 

old engraving style

# 

figuration

# 

ink

# 

genre-painting

# 

engraving

Dimensions: height 100 mm, width 147 mm

Copyright: Rijks Museum: Open Domain

Curator: What a chaotic scene. My initial reaction is… overwhelming. It feels very cramped, very unsettling. Editor: You've keyed in on something important about this image: we are looking at H. Berthier's “Karikatuur van een inspectie op de soldatenkamer,” or "Caricature of an inspection of the soldier's room". It was created sometime between 1870 and 1909. Curator: Berthier's sense of claustrophobia is really emphasized. Look at the visual compression—figures crammed into beds, looming over each other, with that small child somehow wielding what seems to be a large sword. I feel like he is satirizing not only military life, but compulsory masculinity at all levels. Editor: Indeed. There's a pointed juxtaposition in his deployment of a genre scene within a military setting. You can see many layers to it. This is achieved through an engraving printed in ink on paper. Notice, though, how even this etching seems to call to symbols of larger systems. Do you see what seems to be an inspection reflected in the attitudes and postures of each figure? Curator: Absolutely, the bodies perform their roles. There's the inspector and the inspected, but also the silent observers complicit in the theatricality of it all. I wonder about Berthier's intent here – is he solely commenting on the rigidity of military structure or pointing towards how systems of control shape individuals in far broader terms? And notice, some seem to be resisting—others play along. The variety of these poses really hints to broader resistance theory and agency. Editor: Very insightful observation. Consider the lasting resonance of symbols of power and subservience, and how Berthier uses caricature to dismantle those notions. Ultimately, it is that sense of historical awareness through visual storytelling that strikes me. Curator: This makes you think about the different contexts of the artwork. Seeing a new image is always different each time; there’s more for the audience to unveil at every given period. Editor: It makes me think about the history, but ultimately I reflect about today. Very astute insights, as well.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.