Coast Scene in Normandy 1860

This is John Absolon’s “Coast Scene in Normandy,” made with watercolor paint. Here, the materiality of watercolor influences its appearance, lending a sense of spontaneity and transience to the scene. The translucent washes of pigment evoke the atmosphere of the Normandy coast, with its soft light and shifting tides. This medium allows for the blending of colors and the creation of subtle tonal variations, capturing the nuances of light and shadow on the cliffs and beach. Consider the amount of work involved in the production process. Unlike oil painting, which allows for layering and correction, watercolor demands a direct and decisive approach, requiring the artist to work quickly and intuitively. It requires technical skill to control the flow of the water-based paint and achieve the desired effects. By emphasizing the importance of materials, making, and context, we can gain a deeper appreciation for the artistic skill and historical context of “Coast Scene in Normandy,” challenging traditional distinctions between fine art and craft.