Treeft, ringvormig met drie spitse naar beneden gebogen pootjes c. 1590 - 1596

This trivet, with its ring form and three downward-pointing legs, was made by an anonymous artist in iron. The trivet's material—iron—dictates its appearance. Its inherent properties of strength and malleability have allowed the creator to fashion it into both functional and visually interesting forms. The dark, textured surface of the iron also speaks to the social context of its creation, perhaps implying a utilitarian origin within a blacksmith's workshop. The hand-forged nature of the trivet is evident in the slight irregularities and imperfections, and the marks of the tools used in its making. Consider the labor involved in transforming raw iron into this refined object. The trivet represents a dialogue between the artist, the material, and the social context of production. This challenges the traditional distinctions between fine art and craft, suggesting that even the most utilitarian objects can embody artistic expression and cultural significance.