The Family by  James Boswell

The Family 1939

0:00
0:00

Dimensions: image: 187 x 191 mm

Copyright: © The estate of James Boswell | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: James Boswell's "The Family" presents an intimate scene, but the shadowy rendering creates a somewhat unsettling mood. What symbolic weight do you find in this domestic image? Curator: The lamp's harsh glow, like a stage light, throws the family into stark relief. Consider the radio – a focal point, yet isolating. The father, almost puppet-like, is tethered to it, the mother looms in the background, while the child seems almost lost in their own world. Does this suggest a unity or fragmentation within the family unit? Editor: I see what you mean. The radio seems to represent a world outside, intruding on their private lives. Curator: Precisely! And the cat? Is it a symbol of domesticity, or perhaps a detached observer, mirroring our own gaze? These recurring motifs offer insight into the anxieties of modern life. Editor: I hadn't thought about the cat that way. It's fascinating how symbols can layer meaning.

Show more

Comments

tate's Profile Picture
tate about 2 months ago

http://www.tate.org.uk/art/artworks/boswell-the-family-p11668

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate about 2 months ago

In this ordinary living room a man is shown adjusting a wireless and looking towards his wife who sits beside him knitting. A younger woman, presumably their daughter, looks up from doing her homework on the table. The pictures on the wall, plant on the mantelpiece and cat on the hearth rug indicate the cosiness of their surroundings and their status as middle class. However the date of the print is portentous, and the family may be tuning in to reports about the political situation in Europe which would shortly escalate in to world war. The Family is one of a series of lithographs Boswell made in 1939. Other scenes include a cinema (Tate P11669), a railway station (Tate P11667) and the oratory in Hyde Park. Feaver describes the series: ‘This is the London of Graham Greene’s seedy, conscience-stricken agents, of Patrick Hamilton’s hungover failures in life, of Orwell’s down and out literary agents’ (Feaver, p.6).