Schieten op vaders lijk 1524 - 1575

Cornelis Floris II created ‘Shooting at the Corpse of the Father’ with pen in gray-brown on white paper. The drawing's strength lies in its use of linear perspective. The scene has a theatrical stage-like quality. Floris uses architecture to create receding planes, drawing the eye into the distance. The figures themselves are arranged in dynamic poses, caught in mid-action, which adds a layer of drama. What might seem at first glance like a straightforward depiction of violence, it is infused with complex symbolism. It alludes to deeper themes of power, succession and the cyclical nature of conflict. The architectural elements, with their classical motifs, serve not just as background but also as a commentary on civilization. They suggest the structures of society and order that are constantly being challenged by human actions. Through his precise linework and careful composition, Floris invites us to consider how order and chaos, tradition and rebellion, intertwine in human history. This work reminds us that art's true value often lies in its ability to provoke thought and dialogue across time.