Fluitspeler en zieke vrouw by David Bles

Fluitspeler en zieke vrouw 1850

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drawing, pencil

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portrait

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pencil drawn

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drawing

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light pencil work

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pencil sketch

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intimism

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pencil

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genre-painting

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realism

Dimensions: height 305 mm, width 260 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have David Bles's work, "Fluitspeler en zieke vrouw" dating back to 1850. The artwork, which translates to "Flute Player and Sick Woman", is a drawing rendered in pencil. Editor: My first impression is one of melancholy. The subdued tones, the slumped figure in bed—it evokes a very intimate, almost mournful atmosphere. Curator: Precisely. Bles's use of line is particularly noteworthy. See how the delicate strokes create a sense of depth and texture, drawing the eye into the interior space. The interplay of light and shadow is handled with such skill, too, creating a dynamic contrast between the active musician and the passive patient. Editor: And it also evokes a sense of sound versus silence. One is actively trying to offer solace while the other is enveloped in silence of illness. The work likely comments on the societal roles of men versus women and gender expectations. I wonder if there are written documents about the reception of this piece and its commentary at the time? Curator: An excellent point! The chair with the papers resting on it, for instance, seems to directly challenge our reading of it. But consider the composition. The artist employs a clear foreground, middle ground, and background to build perspective, almost in the style of realism, but using such light pencil work it is nearly pointillistic in quality. Editor: I am also curious about the location this piece hangs within the Rijksmuseum—the dialogue that location creates for it based on the art it hangs in proximity to. Also the power of museums to influence narratives. Genre paintings such as this can really reveal information about people and their social settings that are hidden in time. Curator: True. Perhaps the very intimacy invites us to engage not just with Bles’s technique, but how the architecture of this interior reveals intimate human bonds and private spaces. Thank you for drawing that to my attention. Editor: Thanks to you, too. Looking more deeply really does add another layer to our appreciation of this drawing.

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