Portret van Matthäus Keller 1648 - 1663

Editor: So, here we have Johann Pfann's "Portret van Matthäus Keller," an engraving from between 1648 and 1663. It has a really formal, almost austere quality to it, but the floral border gives it a softer touch. What stands out to you when you look at this piece? Curator: The most compelling aspect is how it reflects the societal position of Matthäus Keller, a pharmacist, within the 17th-century context. The text surrounding him identifies him as a pharmacist, highlighting his profession. Note also the rose he's holding. It's not merely decorative; it's symbolic. Editor: Symbolic of what, exactly? Curator: It points to his connection to medicine, of course, and herbal remedies. But beyond that, consider the patriarchal structure of the time. The study and practice of medicine was predominantly a male domain, with women’s knowledge of herbalism often marginalized. The image thus implicitly reinforces the power dynamics inherent in that social framework, but can we interpret Keller himself being a steward of his community with access to natural medicine? Editor: That's a perspective I hadn't considered. I was focusing more on the visual aspects, like the oval frame. Does that shape carry any specific significance? Curator: The oval frame functions almost as a lens, directing our gaze specifically at Keller and his identity. By using it as the enclosing space with floral patterns it also serves to almost venerate Keller and add to the narrative of not only a well-versed pharmacist, but one who seems revered by his society. Editor: I see. It really opens up new layers of interpretation when you look at it through the lens of social structures and historical context. Curator: Exactly! Engaging with the historical narratives invites a more multifaceted understanding of both the artwork and the world that produced it.