Newes Modelbuch in Kupffer  (Page 59r) by Johann Sibmacher

Newes Modelbuch in Kupffer (Page 59r) 1604

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drawing, print, engraving

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drawing

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print

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book

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pattern

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geometric

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decorative-art

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engraving

Dimensions: Overall: 5 11/16 x 7 1/16 x 3/4 in. (14.5 x 18 x 1.9 cm)

Copyright: Public Domain

Editor: Here we have page 59r from "Newes Modelbuch in Kupffer" by Johann Sibmacher, dating back to 1604. It's an engraving of a pattern, seemingly for embroidery or lace. The intricate geometric shapes are quite captivating! How do you interpret this work, given its historical context? Curator: It's fascinating to consider this book as a form of early knowledge sharing, predating modern printing techniques. What role did books like this play in empowering women in artisan trades, by giving them a reference? This wasn't just about aesthetics; these patterns were valuable tools. Consider how such designs could subvert the hierarchy of fine arts by demonstrating artistry beyond traditional painting and sculpture. It challenges us to see "decorative arts" not as lesser, but as integral to a vibrant, dynamic culture. Do you agree that it also reflects a particular early modern aesthetic? Editor: Yes, I see what you mean. The intricacy almost seems subversive. The repeating patterns also appear across cultures. Did pattern books create any interesting artistic intersections across Europe, or further abroad? Curator: Precisely! The movement of these books and patterns is definitely worth studying further! It connects to current discussions around globalization, doesn't it? The easy availability of resources created by these engravings is a concept not foreign to the digital world we now live in. We have only updated the means to share resources, the action is similar. The historical perspective definitely empowers one to reflect and interpret its meaning. Editor: That’s such a fascinating point! Thinking about its relevance in contemporary art makes me see it differently. Thanks for sharing this interesting perspective. Curator: It has been a pleasure. Considering artwork beyond their original context and using them to discuss current cultural dynamics allows new insight into why we relate to what we create, share, and consume.

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