Dimensions: Pipe case: W. 3/4 in.; D. 5/8 in.; L. 11 1/4 in.; Pipe: L.7 3/4 in.; Tobacco case: H. 2 3/4 in.; W. 4 1/8 in.; D. 1 1/2 in.; Netsuke: Diam. 1 1/2 in.
Copyright: Public Domain
Editor: Here we have "Pipe and Pipe Case with Tobacco Pouch" from around the mid-19th century, created by Shibata Zeshin. They’re housed at the Met, and constructed from ceramic and other materials. What strikes me is their exquisite detail—they look so delicate. What do you see in this grouping, viewed from a historical lens? Curator: I see a reflection of social status and cultural ritual. Consider that smoking tobacco, arriving via European trade, evolved in Japan from a foreign novelty into an intricate social practice by the 19th century. The wealthy displayed their refinement and appreciation of artistry through beautifully crafted smoking sets like this. These weren’t just tools, but fashion statements reflecting wealth, status, and taste. Editor: So, owning a set like this was less about smoking and more about projecting an image? Curator: Precisely. Look closely at the detail: the lacquered case, the carved netsuke attached to the tobacco pouch. Each element reveals the hand of skilled artisans catering to an elite clientele. And beyond personal display, imagine the setting: these objects may have facilitated conversation, and formed connections at social gatherings, solidifying social bonds and signalling adherence to shared cultural values. What are your thoughts about how the location where such objects are displayed influence how viewers may interpret them? Editor: That's interesting. Displaying them here in the Met highlights their artistic merit but maybe mutes their original social function, turning practical objects into venerated artifacts. I hadn't really thought about the power of the institution itself to change our perception. Curator: Indeed. Recognizing that interplay between original context and later institutional presentation is critical to understanding the complicated social life of things. Editor: Absolutely. This chat reframed the way I think about art; seeing it not just for aesthetics but also understanding how objects can represent a set of values or play into public and political perception.
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