Holland, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands by Allen & Ginter

Holland, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands 1887

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drawing, coloured-pencil, print, poster

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drawing

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coloured-pencil

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print

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coloured pencil

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poster

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Editor: This is "Holland, from Flags of All Nations," a print made around 1887 by Allen & Ginter, originally for cigarette packaging. It's vibrant! The stylized rendering of the Dutch flag, almost like a cartoon, makes me wonder about its purpose beyond just advertising. What can you tell me about why these cigarette cards became so popular and culturally significant? Curator: It’s fascinating to consider how seemingly disposable items like cigarette cards can become artifacts. The rise of mass-produced cigarettes coincided with a burgeoning popular interest in collecting and encyclopedic knowledge in the late 19th century. These cards, inserted to stiffen packs, became miniature educational tools and collectibles. Editor: So, it's like they're turning capitalist promotion into cultural capital! It's shrewd. Were Allen & Ginter consciously crafting these images to be more than just adverts? Curator: Absolutely! They tapped into the Victorian era's imperialistic fascination with the world, its nations, and its symbols. These cards normalized national identity through commercial means, and fueled both the interest in collecting and promoted their brand. The cards’ availability directly links consumer culture to a sense of national pride and a curated vision of the world. Editor: That's pretty clever, a subtle and effective campaign to shape public opinion, packaged with nicotine. Thinking about it now, seeing them displayed in the Met makes them almost seem... legitimized? Curator: Precisely. Placing this within a museum context invites us to reconsider the history of nationalism, advertising, and how our understanding of the world is often mediated through these intertwined cultural and economic systems. How does that make you see the card now? Editor: It feels less innocent and more like a loaded artifact! Thanks. I learned a lot about cultural propaganda from a small piece of paper, wow! Curator: Exactly, everyday objects carry the weight of history, culture, and ideology. Thank you, that's food for thought for me as well!

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