Portret van Ernst Adalbert von Harrach 1670 - 1674

Editor: So, this engraving from the late 17th century, titled "Portret van Ernst Adalbert von Harrach," by Cornelis Meyssens, immediately strikes me with its formality. It’s a very precise, almost stoic, depiction. What do you make of it? Curator: Ah, yes, Ernst Adalbert! He’s positively swimming in titles there at the bottom. It’s fascinating, isn’t it, how engravings like this were the Instagram of their day – a way to circulate someone's image, prestige, even power. But it's not just about the surface. Look closer, and tell me, what does his gaze tell you? Editor: Hmmm… he looks determined. There’s a slight furrow in his brow. Like he is really concentrating. Curator: Precisely! And think about the context: a turbulent Europe, religious strife aplenty. As Archbishop of Prague and Bishop of Trento, Harrach was right in the thick of it. This isn't just a pretty portrait; it's a carefully constructed message of strength and unwavering conviction. Does it resonate? Editor: It does now that I’m thinking about the era. I guess I just saw him as an old guy. It's interesting how an image can become such a statement. Thank you! Curator: Art has stories to whisper, and history has voices we can almost hear if we listen close enough. Always dive beneath the surface!