Portret van Anne de Noailles 1642 - 1678

This print portrays Anne de Noailles, and was made by Nicolas de Larmessin in France sometime in the late 17th century. It exemplifies the way portraiture was used to solidify social standing in the age of absolutism. Note how Anne de Noailles is framed by an oval border and ribbon, and how the inscription below emphasizes his titles: Knight of the Royal Orders, Governor of the County, Lieutenant General. The visual codes, from his armor to his elaborate lace collar, clearly signal power and aristocratic status. This image wasn't just about likeness, but about constructing and communicating social identity. Understanding this work requires considering the cultural and institutional landscape of the time. The reign of Louis XIV saw the arts centralized and used to project royal authority. Prints like this one played a role in disseminating images of power and reinforcing social hierarchies. To truly grasp the print's significance, we need to consult historical sources: genealogical records, court documents, and period writings on social customs. Only then can we fully understand the complex interplay of art, power, and identity in this image.