Intocht van aartshertog Matthias te Antwerpen, 1577 1613 - 1615

This print, depicting the Entry of Archduke Matthias into Antwerp, was made in 1577 by an anonymous artist using engraving. It’s a classic example of how the printing press amplified political messaging. The image is a stark black and white, achieved through careful carving into a metal plate. The lines vary in thickness, creating areas of light and shadow. Look closely, and you'll see the incredible detail achieved through this labor-intensive process, from the figures in the procession to the buildings of Antwerp in the background. Each line represents a deliberate act of mark-making, requiring precision and skill. Consider the labor involved in producing these prints, and the social context of Antwerp at the time, which was on the verge of splitting between north and south, and the rise of the Dutch Republic. This print isn't just a picture; it's a piece of propaganda, carefully crafted to convey a political message. By appreciating the material and the making, we gain a deeper understanding of its intended impact.