Portret van een onbekende oude man 1705 - 1775

Editor: We’re looking at Johann Georg Hertel’s "Portret van een onbekende oude man," an engraving from around 1705-1775, housed at the Rijksmuseum. It's a very stark, somber image. What compositional elements stand out to you? Curator: Note how the composition employs a tight, almost claustrophobic framing of the subject. Hertel is interested in using the economy of line in order to emphasize the contours of the subject's face and the rendering of light. The dense crosshatching behind the subject creates a foil against the subject’s light face, forcing the gaze to rest there. Does this resonate with your understanding of baroque engraving? Editor: Definitely, but how would a Formalist decode this further using techniques? I recognize crosshatching creates value and depth. Are you suggesting there are intentional choices in terms of shading and textures in specific parts of the engraving? Curator: Precisely. Observe the differing densities of the lines around his face versus the background. How does the texture of his hair differ in its execution from that of his skin? It allows a viewer to sense an inner conflict. He's illuminated but not entirely liberated from the darkness surrounding him. Semiotically, there’s a clear duality presented. Editor: So, this contrast guides the eye to that area, creating a focal point while adding depth and dimension to the overall work? I’m also wondering about his averted gaze; does that contribute to the feeling? Curator: Precisely. It disrupts a direct connection, keeping the subject emotionally at a distance. Notice, too, how the lines emphasize the deepening folds and creases on his face, thus focusing even more of our attention. A close analysis shows how those physical features act as visual metaphors. Do you agree? Editor: Yes, absolutely. I never would have noticed how all those formal elements together add so much expressive impact. Curator: Engaging with artwork from a purely formalistic point can unveil subtleties one might have missed.