Dog barking at a monkey trainer by Shibata Zeshin

Dog barking at a monkey trainer c. mid to late 19th century

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drawing, print, watercolor, ink, pencil

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drawing

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imaginative character sketch

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quirky illustration

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narrative-art

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print

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asian-art

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ukiyo-e

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cartoon sketch

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figuration

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personal sketchbook

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watercolor

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ink

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folk-art

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pencil

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sketchbook drawing

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watercolour illustration

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genre-painting

Dimensions: 7 1/2 x 6 1/4 in. (19 x 15.8 cm) (image, sheet)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat)

Copyright: Public Domain

This is "Dog Barking at a Monkey Trainer" by Shibata Zeshin, crafted with ink and color on paper. The immediate impression is one of dynamic energy, captured through swift, assured brushstrokes. The composition is dominated by contrasting forms. Notice the dark, solid mass of the monkey trainer's coat opposing the light, almost frenetic lines of the barking dog. This contrast extends to the color palette. Earthy yellows and reds in the trainer's attire meet the stark blacks and whites of the dog, creating a visual tension which reflects the narrative. Zeshin destabilizes traditional notions of hierarchy and composure by focusing on a seemingly trivial, spontaneous moment. The work plays with the semiotic relationship between the master, his performing monkey and the 'common' dog. The image elevates the animal's instinctive reaction to a spectacle in its own right. Consider how the artist's reduction of form, and the dynamism of the composition challenges the viewer's understanding of social order. The dog's defiance is a key to unlocking the work's subversive undercurrent.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Shibata Zeshin was widely regarded for his mastery of painting with lacquer on silk and paper, a unique and difficult technique that gave an appealing luster to his images. Here, a dog barks at a monkey sitting on the shoulder of its trainer. Keeping monkeys as pets, and training them to entertain people, was once popular in Japan.

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