Nude Reclining c. 20th century

Editor: We’re standing in front of Rodin's *Nude Reclining,* circa 20th century. It's a watercolor and drawing on paper, currently held at the Minneapolis Institute of Art. It’s almost ethereal, fading into the background. What do you see in this piece? Curator: I see a moment suspended, almost a dream. The figure dissolves into the warmth of the watercolor, becoming part of the atmosphere itself. It reminds me of a half-remembered love affair, the blush tones conveying intimacy and vulnerability. I’m curious – does it evoke that same feeling for you, or something else entirely? Editor: I see the vulnerability, definitely. But I also get a sense of strength. The woman is so relaxed, confident in her own skin, despite being presented in such a vulnerable state. Curator: Exactly! There’s a defiance there, wouldn’t you say? A reclaiming of the gaze. She's not posing for anyone but herself, caught in a private reverie. And think about Rodin's sculpture. He translated that raw, emotive energy into bronze. With this, however, it’s as though we're witnessing something more fleeting, the unguarded moment. Is that contrast interesting to you? Editor: Definitely! It is like a quick sketch, getting at the core. Thanks! Curator: It's about letting go of rigidity and embracing the beautiful fluidity of the human form, imperfections and all. We’re fortunate to bear witness to that intimate gesture, don’t you think?